{"id":377,"date":"2019-11-16T12:35:55","date_gmt":"2019-11-16T11:35:55","guid":{"rendered":"http:\/\/stanislasberton.com\/?p=377"},"modified":"2024-03-29T14:48:34","modified_gmt":"2024-03-29T13:48:34","slug":"du-joker","status":"publish","type":"post","link":"https:\/\/stanislasberton.com\/index.php\/2019\/11\/16\/du-joker\/","title":{"rendered":"Du “Joker”"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

V\u00e9ritable ph\u00e9nom\u00e8ne culturel et succ\u00e8s inattendu au box-office, le film de Todd Phillips, \u00a0Joker<\/em>\u00a0 a su de toute \u00e9vidence parler \u00e0 son \u00e9poque.\u00a0 Sous couvert de d\u00e9voiler la gen\u00e8se du c\u00e9l\u00e8bre antagoniste du justicier Batman, il d\u00e9crit le basculement dans la folie et le passage \u00e0 l\u2019acte criminel d\u2019un jeune homme perturb\u00e9, Arthur Fleck, comique et clown rat\u00e9, \u00e9voluant dans une m\u00e9tropole ravag\u00e9e par la violence gratuite et la pauvret\u00e9.<\/p>\n\n\n\n

Loin d\u2019\u00eatre un film de super-h\u00e9ros,   Joker<\/em>  se veut avant tout un film social qui utilise le c\u00e9l\u00e8bre personnage pour parler de son \u00e9poque. M\u00e9taphore d\u2019une Am\u00e9rique ou plus largement d\u2019un monde occidental marqu\u00e9 par les in\u00e9galit\u00e9s sociales, l\u2019incivilit\u00e9, l\u2019isolement et l\u2019abandon des classes populaires par des \u00e9lites brutales et donneuses de le\u00e7ons, la ville de Gotham City d\u00e9peint une soci\u00e9t\u00e9 en phase terminale de d\u00e9composition. <\/p>\n\n\n\n

Le film montre comment un tel terreau, via l\u2019humiliation quotidienne, l\u2019absence de perspectives et la destruction des derniers garde-fous sociaux sous pr\u00e9texte d\u2019\u00e9conomies budg\u00e9taires, peut conduire au basculement d\u2019un individu dans la vengeance et la violence. Le Joker, c\u2019est \u00e0 la fois les Gilets Jaunes ou les \u00ab d\u00e9plorables \u00bb de l\u2019Am\u00e9rique de Trump conspu\u00e9s par Hillary Clinton et l\u2019establishment.<\/p>\n\n\n\n

Malheureusement, tout comme l\u2019\u00e9poque qu\u2019il d\u00e9crit, Joker<\/em>  refuse de faire de la politique ce que l’antih\u00e9ros ne manque d’ailleurs pas de le rappeler au d\u00e9but de la sc\u00e8ne cl\u00e9 du film.  Pour le Joker comme pour les r\u00e9volt\u00e9s du monde d\u2019aujourd\u2019hui,  la r\u00e9volte est avant tout une affaire personnelle. Sauf qu\u2019une addition de souffrances et de r\u00e9voltes, aussi l\u00e9gitimes soient-elles, ne suffit pas \u00e0 fonder un projet politique. <\/p>\n\n\n\n

En ce sens, Joker<\/em> est un pur produit de son \u00e9poque et un excellent r\u00e9v\u00e9lateur de ses limites : un film qui se veut politique  mais qui r\u00e9duit cette dimension \u00e0 son l\u2019aspect individuel et \u00e9motionnel. A aucun moment, il n\u2019est  en effet question ni des causes, ni des id\u00e9ologies, ni de l\u2019\u00e9ventuelle construction d\u2019un projet collectif  susceptible d\u2019apporter une solution aux probl\u00e8mes.<\/p>\n\n\n\n

Il y a pratiquement 50 ans, Taxi\nDriver<\/em> de Martin Scorcese dont  The Joker<\/em> est un quasi-remake avec De\nNiro en guise de fil rouge, abordait exactement le m\u00eame sujet mais prenait soin\nde s\u2019attarder longuement sur la responsabilit\u00e9 du politique dans la\nd\u00e9liquescence de la soci\u00e9t\u00e9. Il y a vingt ans, Fight Club<\/em> de David Fincher, autre influence \u00e9vidente, allait\nencore plus loin en montrant comment le h\u00e9ros parvenait \u00e0 \u00e9chapper \u00e0 son\nali\u00e9nation en cr\u00e9ant une v\u00e9ritable arm\u00e9e r\u00e9volutionnaire et un nouveau syst\u00e8me\nde valeurs. <\/p>\n\n\n\n

Joker<\/em>, lui, ne se contente que de constater la souffrance et de montrer comment un homme que l\u2019\u00e9poque a pouss\u00e9 jusqu\u2019au bout de sa folie peut devenir un instrument jouissif de la vengeance sociale ainsi que le h\u00e9raut  de tous les opprim\u00e9s.  Mais sans projet collectif, ni buts politiques, cette r\u00e9volte individuelle reste st\u00e9rile et n\u2019aboutit qu\u2019\u00e0 un chaos qui soulage bri\u00e8vement mais ne r\u00e9sout absolument rien. <\/p>\n\n\n\n

La grande faiblesse  de Joker, <\/em>qui explique son immense succ\u00e8s, est d\u2019\u00eatre totalement de son \u00e9poque : nihiliste, narcissique et farouchement individualiste. Ce que montre en r\u00e9alit\u00e9 Joker<\/em>, c\u2019est que notre soci\u00e9t\u00e9  a perdu jusqu\u2019\u00e0 la capacit\u00e9 de faire  de la politique, c\u2019est-\u00e0-dire d\u2019imaginer des projets collectifs visant le bien commun.<\/p>\n\n\n\n

Apr\u00e8s Moi le chaos.<\/p>\n\n\n\n

Le\u00e7on de Joker<\/em> et \u00e9pitaphe de notre \u00e9poque. <\/p>\n","protected":false},"excerpt":{"rendered":"

V\u00e9ritable ph\u00e9nom\u00e8ne culturel et succ\u00e8s inattendu au box-office, le film de Todd Phillips, \u00a0Joker\u00a0 a su de toute \u00e9vidence parler \u00e0 son \u00e9poque.\u00a0 Sous couvert de d\u00e9voiler la gen\u00e8se du c\u00e9l\u00e8bre antagoniste du justicier Batman, il d\u00e9crit le basculement dans la folie et le passage \u00e0 l\u2019acte criminel d\u2019un jeune homme perturb\u00e9, Arthur Fleck, comique […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[84,83,85],"class_list":["post-377","post","type-post","status-publish","format-standard","hentry","category-politique","tag-film","tag-joker","tag-politique"],"yoast_head":"\nDu "Joker" - Stanislas BERTON<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/stanislasberton.com\/index.php\/2019\/11\/16\/du-joker\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Du "Joker" - 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